Searching

نقدها از TMDB

• Tejas Nair8 از 10

  Searching blew me away even though I saw it after Run, Aneesh Chaganty's later feature, and having heard and read everything about how similar Mahesh Narayan's c u soon is. The intensity of the plot, its unpredictability, and the conviction of the characters are what stood out for me in this unconventional thriller that is also so relatable and real. Watch it right now if you haven't. **8 stars**.

  ادامه‌ی نقد
• Nathan8 از 10

  Searching is a mystery thriller film shot from the perspective of our main characters computer screen. In most movies of this nature, this is done as gimmick and does not feel natural in the story telling. But here, the technology is seamlessly integrated into the story where the two are inseparable. John Cho does an excellent job of being the lead here. His emotional connection with his daughter is a driving force of the plot and the turmoil he goes through in discovering that the connection he has with his daughter was all on the surface is superb. The unknowns surround our leads daughter creates so much tension and mystery as we are trying learn about the character along side the father. The editing is top notch here as the story maintains a very coherent progression while balancing multiple windows and views of the computer screen. There were plenty of twists in the story, some worked well and others fell flat for me. The movie does a little bit too much at the end, but overall was great. Score: 79% Verdict: Great

  ادامه‌ی نقد
• RalphRahal8 از 10

  *Searching* is one of those movies that grabs your attention from the very start with its unique storytelling style. The entire film unfolds through digital screens, which adds an intriguing layer to the narrative and feels surprisingly natural. The story builds a solid foundation, with good pacing and character development that makes you genuinely invested in what’s happening. John Cho delivers a strong and emotional performance as a father searching for his daughter, and the way the movie balances suspense with heartfelt moments is impressive. One of the highlights of *Searching* is how it incorporates technology into the story without feeling forced. It’s refreshing to see a film that uses tools we interact with every day—like social media and video calls—in a way that feels realistic, even if some details are slightly dramatized. The film does a great job of keeping you on edge, and the twists keep coming at just the right moments to keep things interesting. However, the last act felt a bit underdeveloped, with some pieces of the puzzle not landing as effectively as the rest of the movie. Overall, *Searching* is a well-executed thriller that deserves credit for trying something different and pulling it off. While it isn’t perfect, especially toward the end, the innovative approach and strong performances make it worth a watch. If you enjoy a good mystery with a fresh presentation, this one’s definitely worth your time.

  ادامه‌ی نقد
• ausher87 از 10

  Impressive that viewers are able to relate to the characters despite the entire film taking place across the various tech screens of our lives.

• Gimly7 از 10

  Definitely the best use of this format I've ever seen. I also picked a lot of the mystery ahead of its reveal, but not everything! And I like it when I can't pick everything. John Cho is an absolute champion, and _Searching_ genuinely met my expectations. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

  ادامه‌ی نقد
• Stephen Campbell7 از 10

  **_Terrible plot, but aesthetically well-crafted_** >_As of January 2019, total worldwide population is 7.7 billion. The internet has 4.2 billion users. There are 3.397 billion active social media users. The average daily time spent on social is 116 minutes a day. Social media users grew by 320 million between Sep 2017 and Oct 2018. That works out at a new social media user every 10 seconds. Facebook Messenger and WhatsApp handle 60 billion messages a day._ >[...] >_Google processes 100 billion searches a month. That's an average of 40,000 search queries every second. 91.47% of all in__ternet searches are carried out by Google. Those searches are carried out by 1.17 billion unique user. Every day, 15% of that day's queries have never been asked before. Google has answered 450 billion unique queries since 2003. By 2014, Google had indexed over 130 trillion web pages. To carry out all these searches, Google's data centre uses 0.01% of worldwide electricity._ - "122 Amazing Social Media Statistics and Facts" (Kit Smith); _BrandWatch_ (January 2, 2019) _Searching_ is a film with two main organisational principles; there's the thriller plot, which ostensibly keeps everything moving, and to which everything else should, in theory, be in service. Then there's the aesthetic design, with the entire film taking place online, the images presented taking the form of what is seen on computer screens, iPhones, security cameras etc. One of these principles is exceptionally well handled, the other isn't, and it shouldn't take a genius to guess which is which. If we're being really honest, in fact, the plot becomes more and more incidental as the narrative progresses and ever more ludicrous flights of fancy are introduced, transposing the story from a search for a missing girl into a litany of clichés and melodrama. On the other hand, the main reason, indeed probably the only reason any of us saw the film at all is because of its unique visual schema, and thankfully, this aspect is realised with an impressive degree of craft. You know you're in reasonably secure territory when the filmmakers are self-aware enough to begin an online film depicting the latest in consumer technology with the sound of an old dial-up connection. Written by Aneesh Chaganty and Sev Ohanian, and directed by Chaganty, the film begins with a montage of video clips depicting various events in the recent lives of David Kim (John Cho), his wife Pamela (Sara Sohn), and their daughter Margot (Michelle La). The montage covers several years, taking in Margot's childhood, Pamela's diagnosis with cancer, the disease going into remission, her relapse, and, finally, her deterioration and eventual death. This brings us up to roughly the present day, with Margot now a teenager who has drifted apart from her father, although David himself doesn't seem to have noticed. In the early hours of the morning on a night when Margot left the house to attend a study group, she calls David three times, but he is asleep and doesn't hear the phone. Seeing the missed calls the next morning, and realising Margot isn't in the house, he tries to call her back, but her phone is turned off. Assuming she left early to attend a piano lesson, he calls the teacher, but she tells him Margot cancelled the lessons six months prior. Thereafter, he discovers that the money he had been giving her for her lessons was instead being deposited into her bank account, and, several weeks ago, the entirety was transferred to a now deactivated Venmo account. Frantic, David reports her missing, with the case assigned to Det. Rosemary Vick (Debra Messing). However, as David and Vick begin to delve deeper into Margot's life, David is shocked to learn she has no friends at school, and has instead an online existence of which he knew nothing. Meanwhile, every investigative avenue seems to throw up another mystery, and as time passes, it begins to look more and more as if Margot has simply run away. David, ho…

  ادامه‌ی نقد