Everything Everywhere All at Once

نقدها از TMDB

• tmdb62583583

  It’s literally just THE MATRIX (1999) for an internet generation. It examines its themes of modern nihilism in a somewhat similar way to SORRY TO BOTHER YOU (2018) examines capitalism and racial division; by abstracting the flaws in their thesis with an intense flavor of absurdity, excellent stuff. On a more nuts and bolts level, it’s still insanely impressive; my brain hurts just thinking about being in the editing room for this. The cinematography is surprisingly coherent given the almost manic visual quality the story demands, and it manages consistently to look great. The production design, lighting, costuming, VFX, etc., are all outstanding and are just a joy to watch. The performances are fantastic too! The main cast all knock it out of the park. Hilarious, beautiful, hard-hitting, empathetic, and kinetic filmmaking. I’m so glad I got to see it in a theater! Shoutout to Jenny Slate’s dog and the Randy Newman raccoon for enriching my life.

  ادامه‌ی نقد
• r96sk10 از 10

  A truly sensational film! The utter definition of a must-watch. <em>'Everything Everywhere All at Once'</em> is impressive from every single viewpoint. I had heard murmurs of it being a great film, yet it still managed to completely smash my expectations. This 2022 release features a superb cast, a fascinating story and some top notch visuals. The editing and pacing, in particular, are brilliant. The onscreen talent are all fantastic, but Michelle Yeoh is still the absolute standout from this. What a performance! I could watch her in this role over and over and over. With that said, Ke Huy Quan (welcome back!) is awesome as well, as are Stephanie Hsu, James Hong and Jamie Lee Curtis. Everyone plays their part very, very well. All of the humour lands, with some parts being truly funny. It also manages to show supremely enjoyable action alongside a highly meaningful side too. In short: EEAAO is outstanding - you must see it if you get the opportunity! <em>Raccacoonie 👀</em>

  ادامه‌ی نقد
• Filipe Manuel Neto10 از 10

  **A magnificently anti-nihilistic and brutally well-executed film, with a cast of deeply committed actors and an insane story.** I just saw this film and felt an irresistible need to talk about it and comment on it. However, I recognize that a text of just a few thousand characters is completely insufficient to make a fair assessment. This is one of the most complex films I've seen, and so I'm going to try to make an extra effort not to spoil it, even though I feel like I'm going to need to address some things in more depth to be able to write what I need. Let's start by saying that the film was an overwhelming success, both at the box office and with critics, and that it is worth every cent of our cinema ticket. He was also acclaimed at the 2023 Oscars ceremony, with seven statuettes (Best Film, Best Director, Best Actress, Best Supporting Actress, Best Supporting Actor, Best Editing and Best Original Screenplay) in ten nominations. And in addition to the Oscars, many other prizes and awards that seem completely justified to me. The script is one of the most creative and insane I've ever seen: it all starts with a middle-aged Chinese lady who tries to deal with the organized chaos of her normal life: a half-bankrupt business, a marriage in ruins, a bad relationship with an authoritarian father and a lesbian and protesting daughter. And problems with income tax. It is in the midst of this that she discovers that there are billions of other universes, with several other versions of the people she knows, and that she needs to help defeat an evil, an evil force that threatens to destroy them all. The film starts from very bold physics premises, where there are some theories that address the possibility of universes parallel to ours, with our alter-egos living there, and goes further, stating that these universes are born from our multiplicity of options and decisions every day. For example, I'm here writing this, but in another universe, another version of me chose not to watch any movie and sleep. I'm not going to explain much more, not even how the main character discovers this, nor what kind of evil entity that is, but I can say that, deep down, the biggest message I took away from this film is the need to live in the present, but also have faith and cultivate love and good feelings, instead of futile sensations or meaningless nihilism. In effect, the main character needs to believe in herself and in the abilities she doesn't know she can have, in order to combat that malevolent force, which is, in itself, a good representation of nihilism, the feeling that nothing in this life it's really worth it. Still regarding the script, I believe it is fair to say that it was precisely closer to the end that I felt the inspiration running out, the creative overdose of the directors and screenwriters. This is, after so many bizarre and unusual things, the apparently simple ending (even though it wasn't) seemed strangely anti-climactic to me. There's so much to say about the technical aspects of this film... directed by Daniel Scheinert and Daniel Kwan, it's a surprisingly cheap production (a budget of around thirty million dollars, for Hollywood and considering what this film is, it's a small bag of pennies and quarters), which works incredibly well. On a visual level, it's one of the most devastating films I've ever seen, with cinematography and editing worthy of being studied by film schools. And then, we have the great work of designing sets and costumes, and the impressive work of the action doubles and makeup, among many other subtle details that are so tiny that we almost don't notice them, and that show the detailed, patient nature and commitment of directors and their team. The soundtrack is also a very positive point, with an atmospheric and sometimes very discreet sound. There are lots of references to aspects of pop culture, such as martial arts or even technological gadgets, and the fight and action scenes were made with maximum attention to detail, including sudden stops of the image in the most intense scenes, a style of cinematography very characteristic of kung fu films. The work of the cast deserves praise. By playing a wide range of cinema styles in the same character, from comedy to physical action, Michelle Yeoh embarked on a tour de force so challenging that it would make any renowned actor think twice. The way she gives herself to the character is total, absorbing. Stephanie Hsu follows her closely and offers us profound work, full of feeling and emotion. Ke Huy Quan is also impressive and does a remarkable job. In smaller characters but still worthy of mention, we have the veteran James Hong, and the prestigious Jamie Lee Curtis, in a performance so far out of her comfort zone that it seems unimaginable for this actress, and yet it could become pivotal to her career from now on.

  ادامه‌ی نقد
• Manuel São Bento9 از 10

  FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/everything-everywhere-all-at-once-spoiler-free-review "Everything Everywhere All at Once is undoubtedly one of the best movies of the year, finally putting Daniels on the mainstream radar. With such a low budget, it's almost humiliating that so many expensive Hollywood blockbusters can't even reach the heels of so much originality, imagination, excitement, and emotion. Michelle Yeoh leads the troops in a film that also pays homage to the iconic career of the actress who, at 59 years old, accompanies the fantastic stunt team in truly outlandish fights. The mother-daughter relationship as the emotional core of the story follows a surprisingly predictable path and needs a few more dialogues to deliver an even more powerful climax, but it still induces tears and a genuine sense of concern for the characters. Technically, all the elements are so creatively unique that it warrants the clickbait "you've never seen anything like this". See it in theaters!" Rating: A

  ادامه‌ی نقد
• Giovanni9 از 10

  Full Analysis at Spotamovie.com - **Intro** - Everything Everywhere All at Once is one of the best movies of 2022 and it can easily target some Oscars. It’s an incredible journey through multiverses to discover something mind-blowing that may change your existence. - **The Story** - The Wang are an, apparently, happy family. But when we begin to observe them, we discover fascinating characters with their needs, dreams and frustrations. Evelyn, in the middle of a midlife crisis, needs to learn how to cope with her anxieties, fears and family. On the other hand, her loved ones must understand how to deal with Evelyn, with their needs and how to re-think a life together. All of these crushes with the ongoing crisis of their business. An IRS auditor is making their lives challenging between invoices, debts and the risk of shutting down their business. What are Evelyn’s fears? How is her relationship with herself, with his daughter, husband and father? And what is the multi-verse? - **Enjoy the film and our full analysis at https://www.spotamovie.com/everything-everywhere-all-at-once-review-and-explanation-movie-2022/**

  ادامه‌ی نقد
• clivend8 از 10

  I loved it from start to finish. Also it contains few powerful messages. Probably not a masterpiece but a very enjoyable movie I am sure.

• The Movie Mob8 از 10

  **Overall : an unparalleled bizarre cinema masterpiece that approaches the multiverse in a fresh, new, ingenious way.** I have no idea what I just witnessed. Everything Everywhere All at Once is unlike anything anyone has ever seen before. This brilliant goofy, zany, ridiculous genius movie will fry your brain cells. This film instantly establishes itself as a necessity for any true cinema lover. Ground-breaking writing that feels like a Christopher Nolan script with no limits and some eccentricity mixed in. I’m not sure if I fully enjoyed the movie, but I also can’t say I fully understand everything Everything Everywhere All at Once is. Not a film for everyone but an absolute must for movie fans or sci-fi enthusiasts.

  ادامه‌ی نقد
• Loki_Lavathein8 از 10

  Interesting idea about a really multiverse of madness, not for everyone, but I liked it. But I still wanted more of a multiverse, still family relationships make the idea more local, one does not feel the scale of what is happening.

• Nathan8 از 10

  Everything Everywhere All at Once had lofty expectations to fill, and unfortunately it fails to deliver the five-star rating I was expecting going into the film. There is nothing inherently wrong with the movie in general, there was a surface level plot with complex themes at play, which somehow balances the zany world of the multiverse with an intimate connection between mother and daughter. This connection had a nice arch throughout the story but failed to draw me in emotionally. I understood what I should feel in those impactful moments but had a hard time connecting. The performances were great. Ke Huy Quan was incredible and one of the highlights of the entire movie. His switch from clueless doppy husband to multi-versal warrior had me hysterically laughing. Michelle Yeoh is fantastic and deserving of all her praise and award buzz. Despite my problems with a lack of connection to the story, the action really raises this movie as a whole. There is something so captivating about 60-year-old women performing incredible complex kung fu against one another. The brutality is superb and incredibly fun to watch. Another layer to the action is the actions our characters must perform to tape into their multi-versal selves. These are crazy, vulgar, and some of the most shocking things I have seen on screen. Score: 85% | Verdict: Great

  ادامه‌ی نقد
• tensharpe8 از 10

  “Everything everywhere all at once” is a joy to experience. A family, who’s business is currently being investigated for tax fraud, find themselves thrown into the realm of the multiverse in order to save existence itself.  Jamie Lee Curtis is the investigator challenged to gain answers to questionable tax deductions while Michelle Yeoh ( Evelyn Wang ) is tasked with providing those answers while being distracted by her husband Waymond ( Ke Huy Quan ) jumping from universe to universe.  What ensues is a fun filled, emotional,  SCI FI adventure that keeps the audience guessing the probable outcomes throughout. The performances of the four main actors, who juggle with very different characterisations of the family members, are magnificent. The Standout performances however are from both Michelle Yeoh and Ke Huy Quan who not only showcase their martial art skills but also highlight their fantastic comic timing as they switch between different versions of their characters in each universe they visit.  The optimism and love the central characters show to each other as well as others contrasts so well with the cold uncaring multiverse. What this achieves is “Everything everywhere all at once “ manages to deliver something so unique that it ensures the film will stay with its audience for a long time after.

  ادامه‌ی نقد